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Nýtt inn! Vertu öðruvísi og hugmyndaríkur við skákborðið. Komdu andstæðingum þínum á óvart. This book is written with the intention to introduce the reader to the creative chess ideas of Michael Basman. He gave up more intense regular tournament chess around the turn of the millennium, to concentrate his energy on the development of school chess. And that is what he is mainly known for in recent times, as the motor who made the UK Chess Challenge blossom. Nowadays the yearly nation-wide school competition still attracts around 40,000 children, and that is not even the record. […] -
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Nýr titill! Biblía Philidor skákmannsins. Virkilega vel unnin bók sem hefur fengið mikið lof. Óhætt að mæla með þessari. “Pawns are the soul of chess.” We have all heard this phrase more than once in our chess life and we owe it to the great French player François-André Danican, so-called Philidor, considered one of the best chess players of the 18th century. -
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Nýr titill! Concept bækurnar hans Grootens eru virkilega góðar og lærdómsríkar. -
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Nýtt inn! Frábær bók eftir GM Gormally hate introductions so I’ll keep this short. (A bit like the good moments in my chess career.) The inspiration for this book came from a golf tournament on the PGA tour I was watching recently. They’ll be plenty of golf and sportinganalogies in this book, so if these annoy you, then probably you should try another book. (Tough cookies if you’ve already bought.) Jason Kokrak won it, his first PGA tour event. -
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Nýtt inn! Bishop or knight? An eternal dilemma! The legendary Bobby Fischer would likely vote for the bishop. Other authorities like Nimzowitsch would prefer the knight. The truth is somewhere in the middle. Of course, it is clear a bishop usually dominates in open positions while the knight should be preferred in blocked positions. But what does that “usually” mean? Are there exceptions? Sure, a bishop can dominate even in a blocked position if the controlled diagonal is important. Further, the knight can dominate in open positions if there is a good outpost or influential place for it. -
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Nýr titill! Harðspjaldabók Half a century ago I left a country whose red color dominated a large portion of the world map. One way or another, the fate of almost every single person described in this book is forever linked with that now non-existent empire. Many of them ended up beyond its borders too. Cultures and traditions, and certainly not least of all a Soviet mentality, couldn’t have just left them without a trace. Having been transplanted into a different environment, they had to play the role of themselves, apart from certain corrections with regard to the tastes and customs of a new society. Nevertheless, every one of them, both those who left the Soviet Union and those who stayed behind, were forever linked by one common united phenomenon: they all belonged to the Soviet school of chess. -
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Mjög góð þjálfunarbók The book covers exactly what it promises to cover; they have a bit of everything in the examples ranging from silent knight maneuvers to fancy sacrifices. Their idea in the book is to help players train for tournaments by working on all aspects of the game and looking at problems in a wholesome way. They have a wide variety of topics from a wide variety of players. For example, there is an exercise of beautiful tactical play by the former World Champion Viswanathan Anand against Super Grandmaster Alexander Grischuk. As you solve the problem and move on, you will see another exercise played by their students rated around 1300. This is a beautiful way to illustrate that chess is chess, no matter who is playing the game. Just a heads-up to the reader, the latter is much harder to crack! Some of the examples like Jeffrey Xiong missing a queen trap or Nihal Sarin missing a simple way to control an open file to gain an advantage show that even the best of the best make mistakes. Even though there may be easy puzzles you can solve in a few minutes or real Titanic’s that take hours to sink in, you must consistently train with them. -
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Nýr titill. Mæli með þessari! The character of any player is reflected in their game. It also applies to choosing their openings. Therefore, for you to better understand what I’m going to explain in this book, I should describe my style. I play simple positional chess and like to play the endgame. I don’t look for complications for the sake of complications, but if the position requires sacrifices based on the situation on the board, then I will do so without hesitation. I like to control the course of actions; therefore, I would prefer to play with the initiative without a pawn than vice-versa. In general, giving the opponent dynamics is a bad idea. -
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This book is dedicated to chess, though I must confess it is not that same chess with which I immediately and eternally fell in love many, many years ago. There were plenty of wonderful moments, and no shortage of horrible disappointments associated with that version of the game in which I certainly considered myself a true professional. The realities of chess life during the second half of the twentieth century are diffi cult for today’s young people to imagine or understand: Tournaments lasting 30,40 days with adjourned games being completed on specific days allotted for such adjournments. Unbelievable time trouble given that back then only the unrestrained dreamer David Bronstein even thought about incremental time to be added after each move. Mountains of cigarette butts in ashtrays — a fixed attribute of the chess battles and battlefields in those severest of days. Finally, suitcases filled to the very brim with Yugoslav Chess Informants and handmade card indexes. -
Chess is, after all, a game. It’s important to find the best moves. You don’t need to know everything about chess; what you need to know is the right things! This is why children now learn the game more quickly – they get the right information. Even if they don’t know many things, they have the right patterns in their heads! This is my first goal in this book. I want to give you ONLY the information that you need, no more, no less. Of course, this was not an easy task, but I tried my best. -
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How does one achieve the unique ‘sound’ and distinct technique that are absolutely necessary to become successful at the highest level? It can only be done via a deep understanding of the chess player’s personality and the unique talent that distinguishes him from other soloists. It is here that the role of a coach is of the utmost importance. First, it is necessary to understand the nature of your student’s chess talent, and second, it is important to identify the player’s character and personality traits. His style ought to be harmonious, so that the essence of the human being matches the characteristics of his chess talent. Since it is the same emotionless computer that is now in charge of the purely chess component, it falls upon the coach to deal with the chess player’s personality, mysterious and unknowable as it might be. -
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I found the idea to switch sides. By this, I mean to look at games from White’s perspective and then from Black’s. A rather interesting concept, as things often appear quite different, depending on the viewpoint. If one searches for videos showing a joint analysis of elite players, one may often see them completely disagree on certain positions, both of them claiming he stood, or would have stood, better here or there.
skákbækurTómas Veigar Sigurðarson2023-06-12T16:33:59+00:00
